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book (7)


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2007 (7)

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Book
You gotta stand up
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ISBN: 1282191403 9786612191404 1443807672 9781282191402 9781443807678 9781847181640 1847181643 Year: 2007 Publisher: Newcastle Cambridge Scholars

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If it's true that we're known by the company we keep, then Texas humorist, First Amendment Advocate, "Hee Haw's homespun philosopher, and 1950's media blacklist buster, John Henry Faulk's character was first quality. His story intersects some of America's best and brightest: Eugene Victor Debs, the "Texas Triumvirate," Edward R. Murrow, Mark Goodson, Louis Nizer, Myrna Loy, Eleanor Roosevelt, Joe Papp, and host of others. Consciously risking a lucrative television career, he seized "the buz...


Book
The many worlds of circus
Authors: ---
ISBN: 1282334328 9786612334320 1443811777 9781443811774 190430365X 9781904303657 1847181244 9781847181244 9781847185662 1847185665 9781904303657 9781282334328 6612334320 Year: 2007 Publisher: Newcastle, UK Cambridge Scholars Press

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Acrobats and manipulators of objects, trained animals, and clowns - have been performing throughout history. In the eighteenth century, the invention of the circus ring provided a focus for the activities, and the modern circus was born. Once the circus


Book
Le corps, la voix, le voile : cheikhat marocaines
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ISBN: 9782271065919 2271065917 2271077885 Year: 2007 Publisher: CNRS Éditions

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À travers la figure exemplaire des cheikhat c’est l’ensemble des mutations et contradictions du Maroc moderne que l’auteur donne à voir. Entre tradition et modernité. Entre villes et campagnes. Entre islam et islamisme. Mais aussi entre tradition et folklore, entre émancipation et exploitation. La cheikha, chanteuse traditionnelle autrefois respectée et honorée, seule maîtresse de la fête, est devenue une danseuse lascive méprisée, repoussée aux franges de la misère et de la prostitution. Que deviennent ces femmes ? Qui revendique une parenté avec les cheikhat ? On s’en détache, on s’en distingue. On les met à distance. Transgresser les espaces, entre les hommes et les femmes, du domaine public au domaine privé, de l’intime à la rue, tel est l’ultime outrage des cheikhat aux normes sociales. Corps séduisant, corps licencieux, la cheikha incarne le contre-exemple, la femme affranchie des codes de bonne conduite qui régissent la société marocaine. Une enquête aux fortes consonances humaines sur une face cachée du Maghreb.

A Florida fiddler : the life and times of Richard Seaman
Authors: ---
ISBN: 0817381937 9780817381936 0817315535 9780817315535 0817357610 9780817357610 Year: 2007 Publisher: Tuscaloosa : University of Alabama Press,

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A musical life as glorious metaphor for Florida's cultural landscape.This biography of 97-year-old Richard Seaman, who grew up in Kissimmee Park, Florida, relies on oral history and folklore research to define the place of musicianship and storytelling in the state's history from one artist's perspective. Gregory Hansen presents Seaman's assessment of Florida's changing cultural landscape through his tall tales, personal experience narratives, legends, fiddle tune repertory, and descriptions of daily life. Seaman's childhood memories of fiddling performances and rura

The Marxist and the movies : a biography of Paul Jarrico
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ISBN: 1283233282 9786613233288 0813173000 9780813173009 9780813137049 0813137047 9781283233286 6613233285 0813124530 9780813124537 Year: 2007 Publisher: Lexington : University Press of Kentucky,

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As part of its effort to rid the nation of Communist influence and infiltration, the House Un-American Activities Committee subpoenaed hundreds of actors, screenwriters, producers, and directors with suspected ""Red"" leanings in 1947. Some of these film industry veterans, including screenwriter Paul Jarrico (1915--1997), refused to testify on Capitol Hill and were denied subsequent employment. In The Marxist and the Movies, Larry Ceplair illuminates the life, career, and political activism of Jarrico, the recipient of an Oscar nomination for his screenplay for Tom, Dick, and Harry (1941) a

Clowns, fools and picaros : popular forms in theatre, fiction and film
Author:
ISBN: 9401205396 1435613384 9781435613386 9042023406 9789042023406 9789042023406 9042023406 9789401205399 Year: 2007 Publisher: Amsterdam ; New York : Rodopi,

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By its very nature the clown, as represented in art, is an interdisciplinary phenomenon. In whichever artform it appears – fiction, drama, film, photography or fine art – it carries the symbolic association of its usage in popular culture, be it ritual festivities, street theatre or circus. The clown, like its extended family of fools, jesters, picaros and tricksters, has a variety of functions all focussed around its status and image of being “other.” Frequently a marginalized figure, it provides the foil for the shortcomings of dominant discourse or the absurdities of human behaviour. Clowns, Fools and Picaros represents the latest research on the clown, bringing together for the first time studies from four continents: Europe, America, Africa and Asia. It attempts to ascertain commonalities, overlaps and differences between artistic expressions of the “clownesque” from these various continents and genres, and above all, to examine the role of the clown in our cultures today. This volume is of interest for scholars of political and comic drama, film and visual art as well as scholars of comparative literature and anthropology.

Marie Dorval
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ISBN: 9401203822 1429480858 9781429480857 9789401203821 9789042021327 9042021322 Year: 2007 Publisher: Amsterdam New York, NY Rodopi

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To trace the life of Marie Dorval through the turbulences and exhilarations of her epoch is to engage not just with the genesis and the full flowering of a rare theatrical genius but also with the teeming literary, emotional, economic and material dramas in which such a genius is implacably embroiled. Dumas, Vigny, Hugo, Sand, Gautier and many others mingle their creative and affective energies with Dorval’s in a ceaseless dynamic interplay. But to read Bettina Knapp’s exceptional story is to realize too the so easily overlooked backcloth to life in Marie Dorval’s times: poverty, the need to will one’s survival, unimaginably trying circumstances in which theatre is performed, whether in the provinces or in Paris. And the account that follows further seeks, upon this at once intimate and societal canvas, to give us some real insight into the uniqueness of Dorval’s acting techniques, simultaneously instinctive, viscerally natural, and learned, studied, though more from life than instruction. A book for actors, indeed; but a book, too, for lovers of the theatre and, beyond that, of the sheer improbable drama of existence.

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