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If it's true that we're known by the company we keep, then Texas humorist, First Amendment Advocate, "Hee Haw's homespun philosopher, and 1950's media blacklist buster, John Henry Faulk's character was first quality. His story intersects some of America's best and brightest: Eugene Victor Debs, the "Texas Triumvirate," Edward R. Murrow, Mark Goodson, Louis Nizer, Myrna Loy, Eleanor Roosevelt, Joe Papp, and host of others. Consciously risking a lucrative television career, he seized "the buz...
Authors, American --- Blacklisting of authors --- Blacklisting of entertainers --- Entertainers --- Authors --- Mass media --- History --- Blacklisting --- Censorship --- Faulk, John Henry.
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Acrobats and manipulators of objects, trained animals, and clowns - have been performing throughout history. In the eighteenth century, the invention of the circus ring provided a focus for the activities, and the modern circus was born. Once the circus
Circus --- Circus performers --- Performers, Circus --- Circus workers --- Entertainers --- Circuses --- Amusements --- History --- Social aspects
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À travers la figure exemplaire des cheikhat c’est l’ensemble des mutations et contradictions du Maroc moderne que l’auteur donne à voir. Entre tradition et modernité. Entre villes et campagnes. Entre islam et islamisme. Mais aussi entre tradition et folklore, entre émancipation et exploitation. La cheikha, chanteuse traditionnelle autrefois respectée et honorée, seule maîtresse de la fête, est devenue une danseuse lascive méprisée, repoussée aux franges de la misère et de la prostitution. Que deviennent ces femmes ? Qui revendique une parenté avec les cheikhat ? On s’en détache, on s’en distingue. On les met à distance. Transgresser les espaces, entre les hommes et les femmes, du domaine public au domaine privé, de l’intime à la rue, tel est l’ultime outrage des cheikhat aux normes sociales. Corps séduisant, corps licencieux, la cheikha incarne le contre-exemple, la femme affranchie des codes de bonne conduite qui régissent la société marocaine. Une enquête aux fortes consonances humaines sur une face cachée du Maghreb.
Women singers --- Women entertainers --- Women --- Social conditions --- Morocco --- Social life and customs --- Marginality, Social --- Femmes artistes du spectacle --- Marginaux --- Maroc --- Conditions sociales --- Gender & Ethnic Studies --- Social Sciences --- Gender Studies & Sexuality --- Social life and customs. --- Women singers - Morocco --- Women entertainers - Morocco --- Women - Morocco - Social conditions --- Morocco - Social life and customs --- islam --- chant arabe --- cheikha
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A musical life as glorious metaphor for Florida's cultural landscape.This biography of 97-year-old Richard Seaman, who grew up in Kissimmee Park, Florida, relies on oral history and folklore research to define the place of musicianship and storytelling in the state's history from one artist's perspective. Gregory Hansen presents Seaman's assessment of Florida's changing cultural landscape through his tall tales, personal experience narratives, legends, fiddle tune repertory, and descriptions of daily life. Seaman's childhood memories of fiddling performances and rura
Old-time music --- Storytellers --- Fiddlers --- Country music --- Hillbilly music --- Mountain music --- Old-time country music --- Old-time mountain music --- Old timey music --- Folk music --- Popular music --- Bluegrass music --- Raconteurs --- Tellers of stories --- Entertainers --- Violinists --- Social aspects --- Seaman, Richard,
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As part of its effort to rid the nation of Communist influence and infiltration, the House Un-American Activities Committee subpoenaed hundreds of actors, screenwriters, producers, and directors with suspected ""Red"" leanings in 1947. Some of these film industry veterans, including screenwriter Paul Jarrico (1915--1997), refused to testify on Capitol Hill and were denied subsequent employment. In The Marxist and the Movies, Larry Ceplair illuminates the life, career, and political activism of Jarrico, the recipient of an Oscar nomination for his screenplay for Tom, Dick, and Harry (1941) a
Communism and motion pictures --- Blacklisting of entertainers --- Motion picture industry --- Screenwriters --- Communism and moving-pictures --- Motion pictures and communism --- Motion pictures --- Jarrico, Paul. --- Achilles, Peter, --- United States. --- HUAC --- Hollywood (Los Angeles, Calif.) --- History. --- HUAC (United States. Congress. House. Committee on Un-American Activities) --- House Un-American Activities Committee (U.S.)
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By its very nature the clown, as represented in art, is an interdisciplinary phenomenon. In whichever artform it appears – fiction, drama, film, photography or fine art – it carries the symbolic association of its usage in popular culture, be it ritual festivities, street theatre or circus. The clown, like its extended family of fools, jesters, picaros and tricksters, has a variety of functions all focussed around its status and image of being “other.” Frequently a marginalized figure, it provides the foil for the shortcomings of dominant discourse or the absurdities of human behaviour. Clowns, Fools and Picaros represents the latest research on the clown, bringing together for the first time studies from four continents: Europe, America, Africa and Asia. It attempts to ascertain commonalities, overlaps and differences between artistic expressions of the “clownesque” from these various continents and genres, and above all, to examine the role of the clown in our cultures today. This volume is of interest for scholars of political and comic drama, film and visual art as well as scholars of comparative literature and anthropology.
Clowns in literature --- Fools and jesters in literature --- Tricksters in literature --- Clowns --- Theater --- Postmodernism (Literature) --- Clowns. --- Clowns in literature. --- Fools and jesters in literature. --- Theater. --- Tricksters in literature. --- Trickster in literature --- Tricksters as literary characters --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Literary movements --- Literature, Modern --- Modernism (Literature) --- Post-postmodernism (Literature) --- Clowns as literary characters --- Circus performers --- Entertainers --- Fools and jesters --- Comedians --- History --- Fools and jesters. --- Court fools --- Jesters --- Courts and courtiers --- Favorites, Royal --- Joking
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To trace the life of Marie Dorval through the turbulences and exhilarations of her epoch is to engage not just with the genesis and the full flowering of a rare theatrical genius but also with the teeming literary, emotional, economic and material dramas in which such a genius is implacably embroiled. Dumas, Vigny, Hugo, Sand, Gautier and many others mingle their creative and affective energies with Dorval’s in a ceaseless dynamic interplay. But to read Bettina Knapp’s exceptional story is to realize too the so easily overlooked backcloth to life in Marie Dorval’s times: poverty, the need to will one’s survival, unimaginably trying circumstances in which theatre is performed, whether in the provinces or in Paris. And the account that follows further seeks, upon this at once intimate and societal canvas, to give us some real insight into the uniqueness of Dorval’s acting techniques, simultaneously instinctive, viscerally natural, and learned, studied, though more from life than instruction. A book for actors, indeed; but a book, too, for lovers of the theatre and, beyond that, of the sheer improbable drama of existence.
Actors --- Actors. --- Stage actors --- Theater actors --- Theatrical actors --- Artists --- Entertainers --- Theater --- Dorval, Marie, --- Delaunay, Marie-Amélie-Thomase, --- Bourdais, Marie-Amélie-Thomase, --- France. --- Bro-C'hall --- Fa-kuo --- Fa-lan-hsi --- Faguo --- Falanxi --- Falanxi Gongheguo --- Farans --- Farānsah --- França --- Francia (Republic) --- Francija --- Francja --- Francland --- Francuska --- Franis --- Franḳraykh --- Frankreich --- Frankrig --- Frankrijk --- Frankrike --- Frankryk --- Fransa --- Fransa Respublikası --- Franse --- Franse Republiek --- Frant͡ --- Frant͡s Uls --- Frant͡sii͡ --- Frantsuzskai͡a Rėspublika --- Frantsyi͡ --- Franza --- French Republic --- Frencisc Cynewīse --- Frenska republika --- Furansu --- Furansu Kyōwakoku --- Gallia --- Gallia (Republic) --- Gallikē Dēmokratia --- Hyãsia --- Parancis --- Peurancih --- Phransiya --- Pransiya --- Pransya --- Prantsusmaa --- Pʻŭrangs --- Ranska --- República Francesa --- Republica Franzesa --- Republika Francuska --- Republiḳah ha-Tsarfatit --- Republikang Pranses --- République française --- Tsarfat --- Tsorfat
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